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Giving Anne Heche and Sandra Oh the juiciest roles of their recent careers, Brooklyn-based filmmaker Onur Tukel managed to make a deeply pro-woman film that pissed off a lot of feminists with its title alone. Delightfully subversive and alive with a distinctly contemporary absurdism, “Catfight” is about two women who hate each other. 1.If a few gay sex scenes are enough to count a film as queer, then a few lesbian fights should suffice-and that’s not even counting the epic takedowns that give this wild ride its title. Though some will lament the spareness of the their more intimate acts, this film is so gorgeous that to see anything else would have yielded sensory overload. Their bodies, which Guadagnino graciously (but tastefully) puts on display, skip and tousle across the screen. Armie Hammer is an ’80s Adonis in his short shorts and billowing Oxford shirts, towering awkwardly over the androgynous beauty of the soon-to-be-everywhere Timothée Chalamet. It’s hard to know where to focus in “Call Me By Your Name,” between each gorgeous frame of the Italian delights and its impossibly good-looking young lovers.
#Best new gay movies 2017 movie
How did Luca Guadagnino make a movie that looks, sounds, and feels like nostalgic summer love? Who knew it looked like the golden light of an Italian villa, or the smiling eyes of a father witnessing his child’s first heartache? Or that it sounded like shutters clattering in the wind, the heavy slam of a wooden door, or a spoon’s clumsy tap tap tap on a soft-boiled egg? And most of us certainly didn’t know know love felt like rolling casually into a fountain, or the soft inside of a peach. The country setting and restrained storytelling have led to inevitable “Brokeback Mountain” comparisons, but “God’s Own Country” has the benefit of two fresh faces in the leads to fully inhabit the roles with no prior associations, as well as the freedom to buck Hollywood tropes (including that pesky one where every gay romance must end in tragedy). What might have tread familiar ground instead knits a verité pastiche out of the rigors of farm life, artfully binding Johnny’s quiet drama with the drama of the landscape that entraps him. When the two head up the mountain to birth the lambs, things get muddy. While Johnny is well-versed in soliciting random sex at livestock auctions, he isn’t prepared for the intensity of real human connection-much less Gheorghe’s puppy dog brown eyes. To help with lambing season, the family hires a Romanian migrant worker named Gheorghe (Alec Secareanu).
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It’s the story of a young man named Johnny (Josh O’Connor), who is stuck (in many ways) managing his family’s livelihood in the wake of his father’s stroke. The documentary-style farm scenes elevate it far beyond traditional gay dramas, and it doesn’t make the mistake of confusing tragedy with quality. Gorgeously shot and engaging from beginning to end, “God’s Own Country” is the kind of gay film more people should be making. There is no “I can’t quit you” moment in writer-director Francis Lee’s expertly crafted cinematic debut, only the bleak but beautiful landscape of the Yorkshire countryside.
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#Best new gay movies 2017 series
Luca Guadagnino Argues 'Call Me' Is 'Not a Romantic Movie,' Defends Not Showing Sex SceneĮmmy Predictions: Outstanding Variety Sketch Series
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The Best Sex Scenes of the 21st Century Ranked, from 'Midsommar' to 'Titane'